Riffle · the sound is the motion

Echo on

Echo style Echo delay · how far back the ghost is Echo amount Echo blend

build up over time (with the music)

Build-up length Echo offset · ghost shift Echo tint · colour the ghost

weave a second photo through the same cut

The current cut runs on both photos and the pieces interleave. Loudness pushes the blend toward the second photo. Pure Koike collage.

second photo: random from your mixshuffle

How they meet Pieces · weave only Blend toward second Sound pushes the blend

split the frame with a shape

Outside the shape = your main Operation (top). Inside the shape = a second operation. They meet at a soft or hard edge.

Shape Operation inside the shape Shape size / threshold Edge hardness · feathered ↔ hard

Flowing = smooth motion. Stop-motion = hard Koike cuts at the pulse rate. Coverage is how much of the photo is in play; placement only affects flowing.

Coverage · how much of the photo changes How it moves Pulse rate · cuts per second (stop-motion)

move on the beat

Beat sensitivity Placement

What the moving pieces do. Displace shifts them; remove cuts holes (filled with a white card, the original photo, black, a colour, or relocated so no pixels are lost); turn rotates pieces; swap exchanges pairs. Amount sets how much is affected. Shape and backing apply to Remove.

Type Hole shape

Hole backing Colour

Amount · how much is affected (cut / turned / swapped)

Over the build time: build up (starts intact, progressively transforms), resolve (starts smashed, settles back to the photo), or swell (breathes in and out). Restarts when you press Play.

Mode Build time

Cuts Flow · constant drift Reactivity · how much the sound moves it Smoothing · jumpy ↔ fluid Scramble · random reorder

Trails · feedback wake Warp · feedback flow Glow · bloom Grade · colour look Glitch · tearing / RGB split Geometric warp · structured bend (moves with the sound)

Geo warp amount

Drift the look

slowly drift the look on its own

Drift speed Drift amount

Sound drives the image

Each visual control can be driven by a feature of the sound. Pick a feature, set how much it pushes, and whether a louder feature pushes the control up (+) or down (−). The bar shows how hard it is pushing right now.

Loop region

loop position–

track length–

Loop length (seconds) The loop up close

The seam · where the end meets the start

The loop always lands somewhere random. Set a length, drag the band to move it, pull the edges up close to perfect it, or roll a new slice.

evolve the sound over time (loop kept; tone breathes)

Filter sweep, auto-pan, canon drift and a reverb wash drift slowly over the untouched loop, so the same riff keeps shifting.

Evolve speed Evolve amount

Granular layer

Sprays tiny grains of the take into a drone or collage, mixed under the loop. Roam at 0 stays inside the loop (in key); turn it up to wander the whole take.

Mix Density · grains / sec Grain size Roam · in-loop ↔ whole take Pitch (semitones) Pitch spread

Shimmer

Auto-evolve cloud

Capture first, then pick a format and convert the last clip here.

Pristine render · renders every frame offline for sharp output (no live-capture mush, esp. on busy looks). Takes longer than it plays.

Length 30s

Match the current look · hold auto-change, drift & arc

Renders the look on screen now over a clean capture of the sound. Length rounds up to end on a whole loop. Uncheck "match" to let it evolve a fresh take instead.

pitch–

busyness–

duration–

auto-op (by pitch)–

Flow keeps it alive even in silence. Reactivity maps the live frequency bands across the image (bass→one side, treble→the other), so the deformation IS the sound. Smoothing turns snapping into glide.